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First Name Anastasija
Last Name Pastore
Born 1975-02-11
Country Russia
Biography 
Born in Moscow on 11 February 1975, she got her degree at the Moscow Pedagogical Institute, department of Fine Arts, with a dissertation centered on the theme of the “urban landscape”.
In 1994 she graduated at the faculty of Fine Arts of the Moscow Pedagogical University named after V.I. Lenin.
In 1998 she participated in two exhibitions in Lobnja (Moscow) and Malojaroslavets.
In 1999 a personal exhibition opened at the Varshavka Art Gallery in Moscow.
In 2000 she participated in the exhibition “Golden brush” at the Central House of Artists in Moscow.
In 2003 participation un the exhibition “Spring of Hopes” at the Tushino Art Gallery in Moscow.
Again in 2003 she participated in an exhibition dedicated to the anniversary of the publishing house “Isograph” at the All-Russian Fund for Culture in Moscow.
Anastasija Pastore lives and works in Moscow. Her paintings can be found in private collections in Russia, Italy, France and the United States.
A style of painting which depicts subject matter (form, color, space) as it appears in act...
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An art movement founded in France in the last third of the 19th century. Impressionist artists sought to break up light into its component colors and render its ephemeral play on various objects. The artist's vision was intensely centered on light and the ways it transforms the visible world. This style of painting is characterized by short brush strokes of bright colors used to recreate visual impressions of the subject and to capture the light, climate and atmosphere of the subject at a specific moment in time. The chosen colors represent light which is broken down into its spectrum components and recombined by the eyes into another color when viewed at a distance (an optical mixture). The term was first used in 1874 by a journalist ridiculing a landscape by Monet called Impression - Sunrise.
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Romantic stranger
by Pastore
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Girl with a fool
by Pastore
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An art movement of the early 20th century in which traditional adherence to realism and pr...
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